Avenir Museum of Design and Merchandising
The collections are comprised of over 18,000 artifacts of historically and culturally significant objects related primarily to 19th and 20th century EuroAmerican material culture as well as non-Western material culture with depth in India, China, Japan, Central Asia and Latin America; collections are used for teaching, research, and interpretive exhibitions. Special collections include:
Located in the University Center for the Arts, the Avenir Museum features a Gallery with an established schedule of exhibits; workshops and lectures are held in conjunction with each exhibit.
Molas are created through a reverse appliqué process in which two to five layers of fabric are stacked, cut through and sewn together. The term “mola” is the Kuna word for clothing, and it refers to Kuna women's traditional blouses as well as to the hand-stitched decorative front and back panels of the blouse. Made by the women of Kuna Yala in Panama, they feature original imagery inspired by local influences such as the Kuna life and worldview, as well as global influences such as tourism and pop culture.
The exhibition, which opens Monday, Aug. 18, and continues through Friday, May 29, 2015, is on display in the Avenir Gallery (UCA Room 115) at the University Center for the Arts, 1400 Remington St. in Fort Collins. "Kuna Molas: Sewn Stories and the Interplay of Tradition and Change" highlights the mola as both textile art and cultural artifact. It examines how molas reflect the complex interplay of maintaining Kuna cultural traditions in a changing world and global economy.
The exhibition features more than 70 items made between the 1920s and the 1990s, including mola blouses and panels, two full ensembles, small tourist items, a large quilt consisting of 73 mola panels and photographs of Kuna villages and villagers.
All of the molas, photographs and supporting objects are part of a new donation to the Avenir Museum by Colorado Springs textile collector, exhibition developer and author Joyce Cheney. The collection traveled for almost 10 years as part of a national touring exhibition curated by Cheney. She collected them in Panama from the Kuna in the 1990s.
Thursday, Sept. 18: Lecture, Reception and Gallery Walk — reception from 6 to 7 p.m., followed by a lecture from Joyce Cheney: “On the Textiles Trail: Collecting Molas in Kuna Yala.” University Center for the Arts, Room 136. Gallery walk to follow lecture.
Thursday, Oct. 23: Lecture — 7 p.m., Dr. Susan J. Torntore, Avenir curator, Kuna Molas: Stories of Cultural Expression, Influences, and Trade.” University Center for the Arts, Room 136.
Thursday, Nov. 20: Film — 7 p.m., “Molakana: Sewing the World,” film about Kuna women, their lives and their molas, made by French ethnologist Michel Perrin, in Kuna Yala, Panama, 2003. (Location to be determined.)
Mola designs developed from Kuna body painting. As imported cloth became available in the early 20th century, women began sewing the designs onto blouses. A wide range of imagery can be found in the designs — traditional abstract motifs, local plants, fish, animals and birds, Kuna ceremonies such as funeral and healing rites, plus historic and more recent global media-influenced images such as cartoon characters, World War II planes over Panama, modern cruise ships and ad symbols like the RCA Victor dog.
The largest of seven indigenous groups in Panama, the Kuna inhabit the San Blas Islands, a chain of more than 350 small coral islands and mainland rain forest stretching 140 miles along Panama’s Caribbean coast.